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Yamane believes that if nuclear weapons testing continues, another Godzilla may rise in the future. In the film, Godzilla symbolizes nuclear holocaust from Japan's perspective and has since been culturally identified as a strong metaphor for nuclear weapons.
Mankind had created the bomb, and now nature was going to take revenge on mankind. But if he were equal to an atomic bomb, we wouldn't know what to do.
So, I took the characteristics of an atomic bomb and applied them to Godzilla. Academics Anne Allison, Thomas Schnellbächer, and Steve Ryfle have stated that Godzilla contains political and cultural undertones that can be attributed to what the Japanese had experienced in World War II and that Japanese audiences were able to connect emotionally to the monster.
They theorized that these viewers saw Godzilla as a victim and felt that the creature's backstory reminded them of their experiences in World War II.
These academics have also claimed that as the atomic bomb testing that woke Godzilla was carried out by the United States, the film in a way can be seen to blame the United States for the problems and struggles that Japan experienced after World War II had ended.
They also felt that the movie could have served as a cultural coping method to help the people of Japan move on from the events of the war.
Brian Merchant from Motherboard called the film "a bleak, powerful metaphor for nuclear power that still endures today" and on its themes, he stated: "It's an unflinchingly bleak, deceptively powerful film about coping with and taking responsibility for incomprehensible, manmade tragedy.
Specifically, nuclear tragedies. It's arguably the best window into post-war attitudes towards nuclear power we've got—as seen from the perspective of its greatest victims.
Mark Jacobson from the website of New York magazine stated that Godzilla "transcends humanist prattle. Very few constructs have so perfectly embodied the overriding fears of a particular era.
He is the symbol of a world gone wrong, a work of man that once created cannot be taken back or deleted.
He rears up out of the sea as a creature of no particular belief system, apart from even the most elastic version of evolution and taxonomy, a reptilian id that lives inside the deepest recesses of the collective unconscious that cannot be reasoned with, a merciless undertaker who broaches no deals.
Shame-ridden self-flagellation was in order, and who better to supply the rubber-suited psychic punishment than the Rorschach-shaped big fella himself?
Tim Martin from The Daily Telegraph London stated that the original film was "a far cry from its B-movie successors.
It was a sober allegory of a film with ambitions as large as its thrice-normal budget, designed to shock and horrify an adult audience.
Its roster of frightening images — cities in flames, overstuffed hospitals, irradiated children — would have been all too familiar to cinemagoers for whom memories of Hiroshima and Nagasaki were still less than a decade old, while its script posed deliberately inflammatory questions about the balance of postwar power and the development of nuclear energy.
Production credits . Mori approved the project in April after special effects director Eiji Tsuburaya agreed to do the film's effects and confirmed that the film was financially feasible.
Mori also felt the project was a perfect vehicle for Tsuburaya and to test the storyboarding system that he instituted at the time. Toho originally intended for Senkichi Taniguchi to direct the film, as he was originally attached to direct In the Shadow of Glory , however, Taniguchi declined the assignment.
Tsuburaya submitted an outline of his own, written three years before; it featured a giant octopus attacking ships in the Indian Ocean.
Only 50 pages long and written in 11 days, Kayama's treatment depicted Dr. Yamane wearing dark shades, a cape and living in a European-style house from which he only emerged at night.
Godzilla was portrayed as more animal-like by coming ashore to feed on animals, with an ostensibly gorilla-like interest in females.
Kayama's story also featured less destruction and borrowed a scene from The Beast from 20, Fathoms by having Godzilla attack a lighthouse.
Takeo Murata and Honda co-wrote the screenplay in three weeks, confining themselves in a Japanese Inn in Tokyo's Shibuya ward.
Kayama's original treatment into a full, working vision. Tanaka requested that they do not spend too much money while Tsuburaya encouraged them to "do whatever it takes to make it work".
In Kayama's story, Serizawa was depicted as merely a colleague of Dr. Tanabe in their draft but the role of Shinkichi, who had a substantial role in Kayama's story, was cut down.
Toshimitsu and Watanabe decided to base Godzilla's design on dinosaurs and, by using dinosaur books and magazines as a reference, combined elements of a Tyrannosaurus , Iguanodon and the dorsal fins of a Stegosaurus.
The first two were rejected but the third was approved by Tsuburaya, Tanaka, and Honda. The Godzilla suit was constructed by Kanji Yagi, Koei Yagi, and Eizo Kaimai, who used thin bamboo sticks and wire to build a frame for the interior of the suit and added metal mesh and cushioning over it to bolster its structure and finally applied coats of latex.
For close-ups, Toshimitsu created a smaller scale, mechanical, hand-operated puppet that sprayed streams of mist from its mouth to act as Godzilla's atomic breath.
Haruo Nakajima and Katsumi Tezuka were chosen to perform in the Godzilla suit, due to their strength and endurance. As a result, few of his scenes made it to the final cut as very few scenes were considered usable.
Godzilla's name was also a source of consternation for the filmmakers. Because the monster had no name, the first draft of the film was not called Gojira but rather titled G , also known as Kaihatsu keikaku G " Development Plan G " , the "G" of the title stood for "Giant", however.
Nakajima confirmed that Toho held a contest to name the monster. For Godzilla's roar, the recording artists initially used multiple roars from various large animals.
These recordings ended up sounding like their animal counterparts and went unused. Ifukube rubbed a leather glove through the loosened lower strings of a contrabass and altered the pitch and speed of the recording until the final roar was conceived.
Eiji Tsuburaya directed the film's special effects. Kajita would shuttle Tsuburaya to Honda's set to observe how a scene was being shot and where the actors were being positioned.
Kajita also ushered Honda to the effects stage to observe how Tsuburaya was shooting certain effects. While Honda edited the live-action footage, he left blank leaders for Tsuburaya to insert the effects footage.
At times, Honda had to cut out certain effects footage. Tsuburaya disapproved of these decisions due to Honda's cuts not matching the effects, however, Honda had final say in these matters.
Tsuburaya originally wanted to use stop motion for the film's special effects but realized it would have taken seven years to complete based on the then-current staff and infrastructure at Toho.
The buildings' framework were made of thin wooden boards reinforced with a mixture of plaster and white chalk. The typhoon waves were created by stagehands who overturned barrels of water into a water tank where the miniature Odo Island shoreline was built.
Sadamasa Arikawa thought the scene was too gruesome and convinced Tsuburaya to re-film it. On the first day of filming, Honda addressed a crew of 30 to read the script and leave the project if they did not feel convinced, wanting only to work with those who had confidence in him and the film.
Honda worked shirtless and as a result, suffered blistering sunburn on his back that left permanent scars. Toho had negotiated with the Japan Self-Defense Forces to film scenes requiring the military and filmed target practices and drills for the film; Honda's team followed a convoy of JSDF vehicles for the convoy dispatch scene.
The score by Akira Ifukube was released three times over a period of 13 years. The first recording was released by Futureland Toshiba in , and nearly contained the film's complete score, missing only a brief source cue used for the pleasure boat scene.
The track list is as follows:. The most recent release of the soundtrack was in April , by Classic Media.
It included the above tracks and an additional five tracks:. Godzilla was first released in Nagoya on October 27, An English subtitled version was shown at film festivals in New York, Chicago, and other cities in This version removes the Japanese Parliament argument, acknowledgement of Godzilla as a "child of the H-bomb," references to Hiroshima and Nagasaki, and an altered translation of the mother holding her children.
To coincide with Godzilla ' s 50th anniversary, art-house distributor Rialto Pictures gave the film a traveling tour-style limited release, coast-to-coast, across the United States, on May 7, It ran uncut with English subtitles until December 19, On April 18, , Rialto re-released the film in the United States, coast-to-coast, using another limited-style traveling tour.
This coincided with not only Godzilla's 60th anniversary, but also celebrated the American Godzilla film which was released that same year.
To avoid confusion with the Hollywood feature, the Rialto release was subtitled The Japanese Original. A heavily altered version of the film was released in the United States and worldwide as Godzilla, King of the Monsters!
Many of the film's political themes were trimmed or removed completely. It was this version of the original Godzilla film that introduced audiences worldwide to the character and franchise and the only version that critics and scholars had access to until when the film was released in select theaters in North America.
Toho converted the entire film from its original scope to a widescreen 2. Japanese subtitles were given to the Japanese actors since their original dialogue differed greatly from the original script and were dubbed in English.
The Godzilla, King of the Monsters! The DVD also includes a documentary about the Daigo Fukuryu Maru , a Japanese fishing boat that was caught in an American nuclear blast and partially inspired the creation of the movie.
This release features both the original Japanese Gojira film and the American Godzilla, King of the Monsters! This release also restores the original ending credits of the American film which, until recently, were thought to have been lost.
In , Classic Media released Godzilla on Blu-ray. This release includes the same special features from the Classic Media DVD release, but does not feature the American version.
This release retained the same specs and features as the DVD release. During its initial Japanese theatrical run, the film sold approximately 9.
Prior to the release of the film, skeptics predicted the film would flop. Ishiro Honda lamented years later in the Tokyo Journal , "They called it grotesque junk, and said it looked like something you'd spit up.
I felt sorry for my crew because they had worked so hard! Others said that depicting a fire breathing organism was strange. Honda also believed Japanese critics began to change their minds after the good reviews the film received in the United States.
He stated "The first film critics to appreciate Godzilla were those in the U. When Godzilla was released there as Godzilla, King of the Monsters!
As time went on, the film gained more respect in its home country. In , Kinema Junpo magazine listed Godzilla as one of the top 20 Japanese films of all time, while a survey of Japanese movie critics published in Nihon Eiga Besuto Best Japanese Films , had Godzilla ranked as the 27th best Japanese film ever made.
One for best special effects and the other for best film. It won best special effects  but lost best picture to Akira Kurosawa 's Seven Samurai.
The site's consensus states, "More than straight monster-movie fare, Gojira offers potent, sobering postwar commentary".
Thompson from Dallas Observer defended the film's effects as products of their time and felt that viewers would be " surprised by what they see," stating, "This ain't your standard goofy monster rampage.
Roger Ebert from the Chicago Sun-Times awarded the film one and a half stars out of four, calling the film "equally idiotic" as the American cut.
Ebert criticized the effects as looking "crude", feeling the effects of the film King Kong were "more convincing" and concludes that "This is a bad movie, but it has earned its place in history.
Thomson felt some of the acting was "ham-handed" but said "there's a surprisingly powerful thrust to this film.
Since its release, Godzilla has been regarded not only as one of the best giant monster films ever made but an important cinematic achievement.
The film spawned a multimedia franchise consisting of 33 films in total, video games, books, comics, toys and other media. Critic and scholar Ryusuke Hikawa stated: "Disney created the template for American animation, In the same way, special-effects studio Tsubaraya created the template for the Japanese movie business.
It was their use of cheap but craftsman-like approaches to movie-making that made tokusatsu unique. Edwards stated that his film was inspired by the film,  and attempted to retain some of its themes, stating, "Godzilla is a metaphor for Hiroshima in the original movie.
We tried to keep that, and there are a lot of themes from the '54 movie that we've kept. From Wikipedia, the free encyclopedia.
Redirected from Gozira This article is about the film. For other films titled Godzilla , see Godzilla disambiguation. Theatrical release poster.
Release date. Running time. Daisuke Serizawa Takashi Shimura as Dr. Kyohei Yamane Fuyuki Murakami as Dr. We wanted [the monster] to possess the terrifying characteristics of an atomic bomb.
This was our approach, without any reservations. Main article: Godzilla, King of the Monsters! Main articles: Godzilla in popular culture and Godzilla franchise.
Main articles: Godzilla film and Godzilla film. Archived from the original on February 21, Retrieved December 17, Archived from the original on February 18, Retrieved February 18, Box Office.
Retrieved February 14, SciFi Japan. Retrieved April 6, Schaue jetzt Godzilla. Mehr Infos: SD Deutsch. Akira Takarada. Akihiko Hirata. Takashi Shimura.
Fuyuki Murakami. Sachio Sakai. Akira Ifukube. Takeo Murata. Masao Tamai. Tomoyuki Tanaka. Japanese Godzilla Trailer Videos anzeigen Bilder anzeigen.
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